Released: 2023
Morgan Wallen’s “Ain’t That Some” takes a dive into the heart of country living, painting a vivid picture that’s as rich in rural culture as it is soaked in nostalgia. This track is a celebration of the simple yet profound joys that come with a country lifestyle, from the tangible—mud on the wheels, to the intangible—a sense of belonging and a connection to the land.
The song kicks off with a shout-out to “back home buddies” and the thrill of driving through fields, mud caking the wheels—a testament to the carefree adventures that define Wallen’s version of youth. The chorus hammers in the theme with pride in their C-O-U-N-T-R-Y roots, highlighting a life that folks “ain’t T-R-Y’d” might find hard to understand. This isn’t just about the physical acts of country living; it’s a nod to a way of life that’s deeply ingrained from a young age, something Wallen fears would be a tragedy to miss out on.
Wallen then dips into personal territory, reminiscing about fishing in “honey holes” and the cheeky admission of having a “piece of skoal in my lip”. It’s these snapshots that offer a sneak peek into the singer’s formative years, underpinned by a gratitude for a modest upbringing that may lack in material wealth but is rich in experience and community. The repetition of the chorus after this verse reinforces the song’s central theme: a celebration of life’s simpler pleasures that country living affords.
The bridge brings a touch of introspection and a universal message: Wallen’s recognition that his true north is unequivocally rooted in the south, signified by a cold beer in hand as he watches the sunset. He acknowledges the cliché in singing about Chevrolets, cold beers, and Fridays, but doesn’t shy away from it. Instead, he owns it, suggesting these clichés are foundational to the identity and heritage of country life.
By the song’s close, Wallen is defiant in his love for his roots, stating, “Ain’t that some C-O-U-N-T-R-Y, We’ll be doing this since the day we die”. It’s a declaration that, despite how the world changes, the essence of country life—its values, its pleasures, and its hardships—will remain unchanged. He closes on a reflective note, considering the lifestyle he cherishes as “Ain’t that some shit,” a colloquial nod to the remarkable, yet understated value of the life he describes.
Through “Ain’t That Some,” Morgan Wallen doesn’t just sing a country song; he invites listeners into a world where the simple becomes sublime, and the everyday is worthy of celebration. It’s a tribute to the beauty of the country life, preserved in the amber of Wallen’s lyrics and melodies, reminding us that sometimes, the most ordinary things can be the most extraordinary.
